Hundred dollar demon in my pocket, And a scrape in the hole Digging up a bruise that darkens, Calibrated to go Down down down, And your grip is slipping Down down down, And the page is. Small audio parts of this release's audio material can be heard on the next album, which seem to be recycled for usage on the suture instrumentals. Chemlab - Exile On Mainline (Radio) Lyrics. The first chemlab release showcases a much more industrial sound, with far less guitar used and more unorganized and chaotic noises instrumentally. Some of the tracks found on the compilation have been remixed. The album includes all the songs found on this release, with some from the next album and one previously unreleased track. In 1994, the compilation album Magnetic Field Remixes was released and is essentially a reissue of this EP. The tour was a smash success of sold-out shows that solidly planted Chemlab before the exploding underground scene. Moore wrote two songs specifically for that tour, 'Gas Mask' and 'X-Flipped' and although they performed them every night and they very much showed the harder and even more experimental direction the band would take on their subsequent albums, neither song was ever recorded. On the strength of excellent reviews and a strong buzz the band was asked to support Nine Inch Nails on their "Now I'm Nothing" tour in the winter of 1991. Hendrickson's aggressive promotion ensured that the EP was reviewed in most of the music magazines and trade journals of the day and the first 1000 vinyl copies sold out very quickly. It instantly struck a chord in the nascent American machine rock/industrial music scene and became an instant underground hit on dance floors across the country. Cool NIN-like samples in Neurozone and great song Derailer. It was noisy yet hooky, the sound a mixture of Ministry, Front 242, Skinny Puppy and such first-wave industrial bands as SPK and Throbbing Gristle yet distinctly their own. Characteristic Chemlab sound clearly hearable - lots of those typical sutures. The EP showcased Moore's burgeoning talents, his aggressive, experimental programming and Jared Hendrickson's apocalyptic vision of the world. Dylan and Jared moved to New York City, where they continued Chemlab without Frank until the band's implosion in 1997. This release was recorded without permission at National Geographic's studios after hours and mixed in Los Angeles by Hilary Bercovici, a friend of Frank's. Splattered cross the signal sky searching for future visionCovering up one eye flip the switch on this retro brain-fry Strap yourself in for the ride of your lifetime We'll plug you into our machine hook up inside your dreams Impact on the 21st century LED's are burning the edge. Zalman became involved when he was introduced to Joe Frank through a mutual friend. It was financed by Zalman Fishman, a nightclub owner who founded the now defunct Fifth Colvmn Records. The duo of Dylan Thomas Moore and Joe Frank on synthesizers later teamed up with Jared Hendrickson (now known as Jared Louche) to create this EP. 10 Ton Pressure is the debut EP of the industrial rock band Chemlab, released in 1990 by Fifth Colvmn Records.
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